![]() ![]() ![]() Like the earliest symptoms of the flu, it begins dropping hints of its existence from the get-go, but it only breaks out in full fever gradually, until it consumes the narrative. The problem is that the entire movie is so dedicated to its gimmicks that it forgets to be a. In the film, McConaughey plays a fisherman in a quiet resort town called Plymouth Island and gets caught up in a plot to knock off his ex-wifes abusive new husband. The problem with Serenity isnt that it is undone by a climactic twist or third-act shocker. There’s something about that moment in a film right before all your expectations come crashing down around you like a tsunami of the unexpected. It’s a “bad” one.Īllow me to explain, to the extent that I can.Īny reviewer of “Serenity” is likely to struggle not to spoil its humongous plot twist. From pretty much the moment of its release, the 2019 Matthew McConaughey vehicle Serenity became notorious for its absurd twist ending. By Danny Hernandez Published The biggest plot twists in movies include some of Hollywoods craziest and most memorable scenes. Put another way, the entire story takes place inside invisible air quotes. To use a term from computer programming, “Serenity’s” problems aren’t bugs - they’re features. On closer inspection, however, these defects reveal themselves not to be flaws of execution, but deliberate stylistic choices by writer-director Steven Knight (“Locke”). The performances are cartoonish, especially that of Hathaway, whose femme fatale comes across as a kind of live-action Jessica Rabbit from “Who Framed Roger Rabbit.” And the scenario abounds with cliche and lazy shorthand: McConaughey’s Baker Dill - a traumatized war veteran and captain of a chartered fishing boat for wealthy tourists - drinks rum to excess from a mug labeled “World’s Greatest Dad.” That tells us that he has a child somewhere, and that their relationship is fraught. The dialogue is bad, to the point of self-parody. And let it also be stipulated that the movie “Serenity” is absolutely not about that.Īt first glance, the film is a contemporary film noir so pulpy, steamy and - most regrettably - cheesy that it has all the appeal of microwaved nachos. Like the earliest symptoms of the flu, it begins dropping hints of its existence from the get-go, but it only breaks out in full fever gradually, until it consumes the narrative.Let it be stipulated that the movie “Serenity” is about a battered woman (Anne Hathaway) who is trying to persuade her ex-husband (Matthew McConaughey) to murder her current one (Jason Clarke). It’s a “bad” one.Īllow me to explain, to the extent that I can.Īny reviewer of “Serenity” is likely to struggle not to spoil its humongous plot twist. Put another way, the entire story takes place inside invisible air quotes. The 2019 film Serenity stars Matthew McConaughey as a man torn on whether or not to kill his ex-wifes new husband. To use a term from computer programming, “Serenity’s” problems aren’t bugs – they’re features. Steven Knight’s latest film, Serenity, has been treated as a punch line thanks to the audaciousness of its mid-movie twist. The performances are cartoonish, especially that of Hathaway, whose femme fatale comes across as a kind of live-action Jessica Rabbit from “Who Framed Roger Rabbit.” And the scenario abounds with cliche and lazy shorthand: McConaughey’s Baker Dill – a traumatized war veteran and captain of a chartered fishing boat for wealthy tourists – drinks rum to excess from a mug labeled “World’s Greatest Dad.” That tells us that he has a child somewhere, and that their relationship is fraught. ![]() And let it also be stipulated that the movie “Serenity” is absolutely not about that.Īt first glance, the film is a contemporary film noir so pulpy, steamy and – most regrettably – cheesy that it has all the appeal of microwaved nachos. Let it be stipulated that the movie “Serenity” is about a battered woman (Anne Hathaway) who is trying to persuade her ex-husband (Matthew McConaughey) to murder her current one (Jason Clarke). ![]()
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